Venera LTD.

Venera LTD. by Stuart Nosler

Reviewed by Lily Andrews

“Venera LTD.” by Stuart Nosler begins in 2025 in Australia, under the shadow of a global radiation crisis where Dr. Hendrick Campbell, a nuclear physicist, is pulled from university research to investigate a mysterious wreck of a sunken warship, a North Korean vessel, which was carrying radioactive material, and whose contamination is spreading quickly, collapsing fishing economies and seeding cancers in populations across the Pacific. What follows is a journey that sees him rise from an academic to a rich head of Venera Ltd, a space logistics company that begins as a student initiative to launch a satellite cheaply, before it transforms into a monopoly that dumps the world’s most dangerous waste on Venus. Alongside this ascent is his life’s slow unraveling, which slowly grows into a desperation that later threatens to consume everything that he has built.  Purchase Here.

“The amount of plutonium aboard was absurd.” Hahn continued.”  From this passage, as the reader, I understood the weight of the catastrophe, even as I was primed for a journey that would be unforgiving and test the resolve of a team of researchers tasked with containing an escalating global crisis. Campbell’s journey forms the backbone of the story. He is a protagonist whose importance, I believe, lies in his transformation and in how he reveals ambition, grief, and what happens when compromises accumulate. Watching him move from a man who gets terrified that he has poisoned his pregnant wife to someone willing to suppress uncomfortable truths felt like watching the slow death of conscience by a thousand justifications. Then there is Henry Rockford, who, unlike traditional villains, is a brilliant and charismatic figure. Seeing him discover Campbell’s capabilities and then exploiting his vulnerabilities reveals the quiet art of manipulation at play. He carries the image of a predator circling not with claws, but with a patient, unblinking assurance that everything is just business until the prey believes it too.

One of the most outstanding elements of this book is its structure, which spans several years of its characters’ phases. The story rides on a deliberate, measured pacing in the first part, which then noticeably accelerates in the second and third parts, before slowing down a bit in the fourth part. One feels like the chapters, which grow tenser with each new one, directly work one-on-one with the pacing, making the reader feel the unbearable weight of events way before they come to pass. A shorter novel feels like it couldn’t have sufficiently captured the protagonist’s transformation with the same conviction. Personally, I would have resisted the leap from professor to a compromised titan, had the novel not made me live inside the duration of that fall. “Venera LTD.” by Stuart Nosler is a book worthy of its length. It understands that life’s greatest horrors are rarely the ones that come explosively, but those that accumulate patiently, silently, and without blinking. It is a book I would recommend to fans of character-driven tragedies as well as those who enjoy slow-burning science fiction.

 

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Saying It Out Loud

Saying It Out Loud: A Young Widow’s Triumph Over Tragedy by Amy King with Jon Land

Reviewed by Russell Ilg

“SAYING IT OUT LOUD” SCREAMS TO BE READ

So many outstanding memoirs feature a backdrop in grief. “When Breath Becomes Air,” is the first that comes to mind, but I guess you could throw the likes of “Tuesdays with Morrie” into the mix as well.  Purchase Here.

SAYING IT OUT LOUD belongs in that conversation. The widow in question is Amy King, and her book covering a year in the life of losing her superman husband in an Army Reserve training accident, leaving her to raise their seventeen-month-old daughter alone, still short of her 30th birthday, is the embodiment of human resilience in general and a young woman’s triumph over tragedy (which happens to be the book’s subtitle) in particular.

“Ma’am, I’m following behind an ambulance that has your husband in the back.”

With a sledgehammer of an opening line like that, we know we’re about to board an emotional roller-coaster and had better belt ourselves in. Amy pulls no punches in taking us along for the ride, tracing her journey over the twelve months that followed getting a phone call that changed her life forever. But she’s not asking for our tears or our sympathy. Instead, she charts the new path of her life with remarkable frankness, saying out loud what we all need to hear about the aftermath of suffering an unspeakable tragedy.

You’ll never move on, but you have to move forward. I don’t get hung up with leaving all of Andy’s things exactly as he left them. Some people may, and that’s fine if it makes them feel better, but it wasn’t for me. Accepting the new life helps honor the one I lost.

Or . . .

It was so wild to me that Adalyn was having her first little picnic at her dad’s grave, not when she’s fifty, but when she’s two. It might well have been the first burial ever to feature lollipops, and that made me angry.

That’s tough stuff, the kind of life lessons ordinarily learned the hard way. In that respect, the book is a cautionary tale aimed straight for those of us who’ve never received the kind of fateful call Amy received, but know it could come anytime the phone rings. She’s not so much standing on her soapbox as sitting at her kitchen table, inviting us into her life with the knowledge that we, too, someday may have to find the strength and resilience to overcome the unthinkable.

SAYING IT OUT LOUD is a raw, revealing, and remarkable journey through the pain of loss and challenge of rebuilding. Amy King’s year-in-the-life memoir is a testament to one woman’s ability to rewrite the rules of her own story, told in bold and breathtaking fashion. An instant classic destined to take its place alongside other time-tested tales that celebrate the enduring power of the human spirit.

 

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Book cover: Blood Moon by Heather Graham.

Blood Moon: The Rising Series: Book 2 by Heather Graham and Jon Land

Book Reviewed by Russell Ilg

APOCYALPSE POW!

Those who thought the notion of teenagers saving the world ended with this season’s “Stranger Things” need to think again. Heather Graham and Jon Land go that great television series one better in the equally great BLOOD MOON, a riotous, rollicking, roller-coaster ride that makes us feel like kids again.  Purchase Here.

The book is actually a sequel to “The Rising,” the name now born by the series as a whole. For those unfamiliar with how the journey started, that prequel introduced us to high school All-American football player Alex Chin. Alex is the ultimate illegal alien because he’s actually from another world, smuggled to Earth in possession of a secret that’s the only thing that can prevent the total destruction of our, and now his, world.

We found out near the end of “The Rising” that the secret in question is actually an organic computer chip implanted in Alex’s brain. And, while it may be the only thing that can save humanity, it’s slowly killing him. BLOOD MOON pretty much jumps off from that point, with Alex and his former tutor, and current love interest, Samantha Dixon on the run from enemies both human and otherwise. They’re once again aided by Raiff, an adult refugee from Alex’s world whose own emotions are thrown into a tizzy when Elaina, the woman he has loved from afar since he was a boy himself, appears up close.

Elaina is Alex’s birth mother who sent him across the spacebridge, kind of a wormhole on steroids, with Raiff when Alex was a mere infant. Only Elaina understands the significance of the four mysterious keys Alex and Sam are chasing around the world, following cryptic clues outlined in an ancient manuscript written in a language only Alex can decipher. Having relied on Sam’s tutoring to survive high school, he now finds himself imbued with new skills and knowledge as a result of that leaky computer chip, and BLOOD MOON is as much a race to save Alex as it is to save the entire world.

Don’t let the science fiction label dissuade you from digging in. Graham and Land give us only what we need to know and not a shred more. That makes the sometimes fearsome, and sometimes throwback, technology accessible for even the least geeky among us. And readers will especially enjoy both the eerie origins of the Golem legend brought literally to life, as well as a brilliant homage to the skeletal swordsmen featured in the original “Jason and the Argonauts.”

Graham and Land have concocted an action-adventure tale of rare pathos and heart, layering emotion atop a constant stream of escalating set pieces that turn BLOOD MOON into one long, unabated chase scene that goes from zero to sixty in a nanosecond. The book’s relentless pacing leaves us even more breathless than our young heroes as we race alongside them, cheering every step of the way. This is storytelling at its absolute best, a smooth and savory blend of “Terminator” and “The Day the Earth Stood Still,” blended with the best from the old “Outer Limits” TV show. Tumultuous and terrific, BLOOD MOON is an instant classic that’s a masterpiece of form, function and fun.

Bird in a Snare book cover.

Bird in a Snare by N.L. Holmes

Reviewed by Timea Barabas

Bird in a Snare is the foundation stone of The Lord Hani Mysteries, a historical series that plays out in Ancient Egypt. N. L. Holmes masterfully resurrects from the sands of time a tale of a humble diplomat and a proud family man, who finds himself adrift in the whirlwind of changing times. Purchase Here.

This is a story about the life and adventures of Hani, a diplomat serving under the rule of Akhenaten. As a new horizon slowly creeps upon the land, Hani is sent to the distant realm of Syria to uncover a murder with grave political repercussions. During his mission to solve one murder, he encounters only more death, political corruption, and a fragile net of relationships between leaders. But before coming to any conclusions, he must return to his home, mid-investigation. The sun has set. And soon a new sun will shine over the kingdom. The successor who rose to the throne seems to depart from the comfort of the old ways, into a new territory; a new direction that does not seem to meet with Hani’s set life course. But, nevertheless one must adapt and above all, survive.

Bird in a Snare is well documented and offers a historically convincing depiction of what once was. N. L. Holmes world building skills melt together fiction and historical facts, in her reimagined set of events. She addresses Ancient Egypt from a macro level – mainly through state and religion – and the micro level of everyday life. But what is more, she unites these two spheres through the main character, Hani. Although the story revolves around a central figure, he is constantly surrounded by a colorful bouquet of characters, be that pharaohs, his scribe Maya, or members of his family. This psychological attention to character development is what truly animates the pages of the book.

Under the penname of N.L. Holmes, an archeologist and university professor by trade, brings her in-depth knowledge to the realm of historical fiction. The abundant knowledge of the author seeps into the text in a natural way and brings color to historical details. For all those who love to dive into historical fiction, keep an eye on Bird in a Snare and other writings by N.L. Holmes.

Book cover: "Murder at the CDC" by Jon Land.

Margaret Truman’s Murder at the CDC: A Capital Crimes Novel by Jon Land

Reviewed by Russell Ilg

I’ve reviewed more books by Jon Land than I can count but his latest, MURDER AT THE CDC, stands out for all the right reasons. Purchase Here.

And all the wrong ones, too.

That’s because the book, completed prior to the January 6, 2021, eerily explores the very mindset that made that chaotic, violent day possible. Not only does the book open with, yes, a mass shooting on the steps of the Capitol Building, it centers around a crazed plot by unified militias and extremist groups to wage what is essentially a second civil war to seize power forever.

Five years ago, we learn in the prologue, a tanker carrying a deadly bio-weapon called the “White Death” seemingly vanished into thin air. Once those contents fall into the hands of an unscrupulous politician eyeing the White House and the powerful offspring of a famed televangelist, all bets are off and a fanatical plot that dwarfs January 6 is underway. We’ve seen the politician, Senator Byron Fitch, before. It’s a classic thriller trope and there’s nothing new there.

What is new, and fabulously so, is the character of Deacon Frank Wilhyte, a man forever living in his dead father’s shadow who finds himself repeating the same mistakes with his own son. Deacon Frank’s murderous tendencies, we learn, were passed on to the boy, making them probably the oddest of father and son couplings ever seen in the genre.

At the heart of MURDER AT THE CDC, though, is its protagonist Robert Brixton, whom Land inherited from previous entries in the late Margaret Truman’s penultimate mystery-thriller series, but enhances substantially here. Brixton is drawn into the action when his grandson is nearly killed in the aforementioned Capitol shooting. That comes after Brixton meets, at his best friend Mackensie Smith’s behest, Mac’s long-lost daughter who’s troubled by something she’s uncovered at the, you guessed it, CDC where she works.

Brixton, in tandem with wronged Baltimore detective turned Capitol cop Kelly Loftus, trace the terrible truths of the Capitol shooting to its roots on Deacon Frank’s doorstep. This as even more terrible truths are revealed about the White Death’s capacity to kill millions of Americans by the bio-weapon’s wheelchair-bound creator. Around for the ride, once again, is the shadowy government fixer Brixton calls Panama, as well as the eccentric, pigeon-loving scientist known only as the Professor. Good thing because Brixton is going to need all the help he can get.

All of that combines to make the 32nd book in this stellar series a can’t miss, can’t put it down, absolute stunner of a tale guaranteed to chill you to the bone. In Land’s able hands, Capital Crimes has regained the fervent pace and keen plotting that once made these books perennial bestsellers. Jam-packed with action and intrigue, MURDER AT THE CDC is as riveting as it is relentless and relevant. An early pick for the best thriller of 2022.

Book cover: "Murder on the Metro" by Margaret Truman.

Murder on the Metro by Jon Land

Reviewed by Russell Ilg

“You need to get somewhere safe,” one character tells another late in MURDER ON THE METRO, to which the other responds, “I don’t think there is such a place anymore.” Purchase Here.

That should come as no surprise, given that Jon Land has picked up the writing duties in this 31st book in the New York Times bestselling Capital Crimes series originally conceived by Margaret Truman. After all, Land is no stranger to high stakes thrillers in which the country, or entire world, hang in the balance. In MURDER ON THE METRO, those stakes include the United States government which is about to be overthrown.

Yes, you heard that right. Known for tearing his ideas from the headlines, Land actually writes his own this time out, having the prescience to pretty much predict what we all witnessed on January 6 when a mob descended on the Capitol. And the result, from an entertainment standpoint, is one of those rare literary sure things. A can’t-miss, can’t-put-it-down, can’t-believe-I’m-reading-this thriller that clicks on every level.

Land retains series vet, and international private investigator, Robert Brixton as the book’s lead, albeit with a bit more of an edge and heightened skill set. That makes him a fitting counterpoint to one of the book’s two heroines: Lia Ganz, a former Israeli commando who comes out of retirement to track down the terrorists responsible for a horrific beach attack in Caesarea. There’s also Secret Service agent Kendra Rendine, head of the female vice president’s security detail and a friend of Brixton’s.

They move in the same circles, those circles converging when Rendine suspects that the vice president’s death to a heart attack was actually foul play. It’s left to Brixton to uncover the specific means and manner, even as he comes to realize an implicit connection between the murder of the vice president, that strike on Israel, and an attempted terrorist attack on the Washington Metro that he thwarted (hence the book’s title).

That connection brings him to the White House itself and a scheming first lady dealing with her husband’s diminished mental capacity on the eve of an election, but not before Brixton and Lia Ganz break an 80-year-old nun out of federal prison. Turns out Sister Mary Alice Rose, a committed social activist inspired by the real-life exploits of Sister Megan Rice, is the only one who knows how all the pieces fit together, the glue coming in the form of a plot to murder millions of Americans.

The stunning and stupendous MURDER ON THE METRO is one of those books that’s so much fun you hate to see it end. Featuring the perfect blend of action and intrigue, plot and character, pacing and suspense, here is a template for how thrillers are supposed to read. Coming in lean and mean at 288 pages and featuring Land’s patented short, cliffhanger-rich chapters, get ready to plunge into the best political thriller in recent memory.

Book cover of "Murder, She Wrote.

Murder, She Wrote: A Time for Murder by Jessica Fletcher and Jon Land

Reviewed by Russell Ilg

“It’s just that the research I did turned up a murder where you used to live, where you were an English teacher.”
“There was a murder, and someone was arrested, yes, Kristi.”
“Were you the one who caught him, Mrs. Fletcher?” Purchase Here.

That exchange, between Jessica Fletcher and a young woman she thinks is a reporter from the local high school newspaper, forms the heart of A Time for Murder, the 50th entry in the iconic Murder, She Wrote series. Jon Land, current series shepherd, has chosen to celebrate that milestone by taking us where no reader (or viewer, for that matter) has ever gone before: into Jessica’s past, specifically twenty-five years back in time, and the result is nothing short of a smashing, slam-dunk success unrivalled in the annuls of literary pop culture.

Jessica’s still married to a much alive husband Frank. And they’re raising their eight-year-old nephew Grady at the time, as she tries to carve out a career as a high school English teacher while struggling to get published.

“Is this a mystery?” one of her students asks, as the class dissects one of Jessica’s own short stories that she distributed anonymously.

It’s not supposed to be, but that gets her thinking, as does the murder of the beloved high school principal who was just about to hire her full-time. An office mishap is suspected at first, until Jessica displays her keen powers of observation for the first time while working with Appleton Maine’s only detective, none other than future Cabot Cove sheriff Amos Tupper.

But that flashback to the past is only part of Land’s fourth, and best, effort in the series so far. In the present, the high school reporter for whom Jessica granted an interview turns out not to be a reporter at all; in fact, she’s not even in high school. And when she turns up murdered herself after badgering Jessica about that murder in neighboring Appleton, we’re off to the races on a dead sprint that swiftly reveals a clear connection between these two killings separated by twenty-five years.

Book cover: Murder, She Wrote, Murder in Red.

Murder, She Wrote: Murder in Red by Jessica Fletcher and Jon Land

Reviewed by Russell Ilg

“Well, at least I wasn’t murdered.”

So opens Murder in Red, Jon Land’s third effort writing as Jessica Fletcher for the eternal Murder, She Wrote series and one he pulls off with literary alacrity so smooth and suave that I almost forgot he cut his teeth on the more hardcore thrillers he continues to dazzle us with. In fact, I’d venture to say that under his steady hand Jessica Fletcher has come to resemble his Texas Ranger Caitlin Strong without the gun, given that she, too, is relentless in her pursuit of justice.

And there’s plenty of it for her to pursue in Murder in Red, starting with the suspicious death of a close friend Jessica thought she knew far better than she actually did. Secrets, of course, have long been a staple of the mystery genre. In this series, though, more than anything Land has managed to deftly blend the more modern material of Michael Connelly or Robert Crais’s hardboiled mystery writing within the fabric of a classic cozy. Think Phillip Marlowe or Sam Spade if Chandler and Hammet respectively had written them as women. Purchase here.

And the mystery presented in Murder in Red, involving a potentially sinister private hospital that opens up shop on the shores of our beloved Cabot Cove, might have been right up their alley as well. Jessica comes to suspect that Clifton Care Partners and its smarmy founder Charles Clifton is somehow complicit in the death of Mimi Van Dorn. Van Dorn, it turns out, is a hotbed of secrets, including a quadriplegic son whose got his secrets of his own, along with more than his share of skeletons in his closet. When he turns up dead too, of an apparent suicide, Jessica steps in to teach yet another bevy of law enforcement interests about her keen powers of observation.

At the heart of a mystery lies a dementia-riddled ex-police chief who tests even Jessica’s mettle to sort through the morass of his words in search of a coherent meaning that might yield the clues she needs. And there’s also a visit to a Big Pharma concern to probe the truth behind secretive clinical trials underway at Clifton Care, one of which might be the sole hope for the only man Jessica has ever been romantically inclined toward in the wake of her beloved husband Frank’s death.

See what I mean? Land knows how to pile on the plot but shows a more disciplined grasp of the material and a more seasoned hand in dispensing it for the Murder, She Wrote audience. This is still your mother’s Jessica Fletcher, only updated to fit a more 2019 sensibility and still with Sheriff Mort Metzger, Dr. Seth Hazlitt, and private eye Harry McGraw along for the ride. The cliffhanger rich, rocket-fueled pacing makes the pages fly by until there are no more left to turn. Murder in Red is a classic mystery in every sense of the word, Agatha Christie as channeled through John D. MacDonald. Sumptuously sizzling reading entertainment that is not to be missed.

Silhouette of a man running at night.

Capitol White by Joe Pistone and Jon Land

Book reviewed by Russell Ilg

As a crime film connoisseur, I place Donnie Brasco among the very best the genre has to offer. Watching Johnny Depp, as the title character, spend five years undercover inside the New York Mob, before ultimately bringing down the infamous families at the top of the food chain, remains great fun every time I watch it. Purchase Here.

So it was with great interest that I plunged into Capitol White, more or less a direct sequel to that movie, penned by former FBI agent Joe Pistone working in tandem with bestselling thriller writer Jon Land. The twist is Donnie himself has been re-imagined wondrously here as a fictional hero, as opposed to a fictitious one, to spectacular success.
Pistone famously chronicled his years living undercover in Donnie Brasco: My Undercover Life in the Mafia – A True Story. Capitol White may be all fiction but you wouldn’t know it from the writing and I had to remind myself numerous times that what I was reading was made up instead of a literary rendition of Donnie’s next major case.

And what a case it is, as we follow the now retired Brasco being lured back into action when a pair of current agents come to him with the story that his mentor’s recent death was the product of murder and not natural causes. Before you can say “Martin Scorsese,” Pistone’s famed undercover doppelganger is all-in on what got FBI Assistant Director Paul Weinman killed, following a trail that leads to a shadowy cabal of Washington powermongers who, by all indications, have usurped the opioid trade for their own nefarious ends.

Hence the title Capitol White, a play on “China White” which is one of the many street names for heroine. It’s oddly appropriate, given that Donnie will stop at nothing to ferret out the politicos and crooks running the show, as coolly professional in fiction as he was in fact, even if that means going back undercover, something he’d promised his family he’d sworn off forever.

For my money, those scenes with his wife and three young sons are the very best in the book, especially when his youngest boy becomes responsible for uncovering a crucial clue (as well as the book’s chilling denouement). William Faulkner once said that the greatest conflict is the human heart at war with itself, and Donnie struggles mightily to keep a vow made to his family while honoring an obligation to the man who was his lifeline during those dangerous years he spent undercover.

This is gritty crime-thriller writing of the highest order, hardboiled prose packed with a punch made all the more enjoyable by a superb unabridged reading by Alexander Centese. Centese’s measured voice and cadence make the tale’s noir-ish elements even more foreboding as Donnie plunges deeper and deeper into a darkness that threatens to swallow him whole at every turn. The first-person narration crackles with authenticity, helping to (re)establish Donnie’s street creds and smarts as he negotiates a Washington, DC terrain that seems little different than the New York streets on which he made his bones, politicians no different from mob bosses. A rollicking, riveting and relentless read/listen.