Reviewed by Ephantus Gold
“We’re here for revenge. And the revenge I have in mind isn’t going to be sweet. It will be brutal.”
This phrase in “To All the Men I’ve Killed Before” by Katy Brent, introduces the reader to a story heavily driven by the desire for retribution, by characters who do not forgive easily – in fact, who do not forgive at all. The phrase further primes the reader for a journey that will keep them on the edge, turning pages, while remaining conflicted about the character’s central morals. Purchase Here.
Kitty Collins, a thirty-year-old serial killer who kills only the “worst men who absolutely deserve it,” and her twenty-year-old half-sister Antoinette, arrive in Los Angeles to find and kill Aidan Ward, a British therapist who beat Kitty’s friend Tor almost to death, before fleeing to LA. Tor barely survived and was left with a swollen face, a closed eye underneath a couple of bruises, and a lingering trauma that makes her unable to sleep. But as Kitty and Antoinette settle in and search online for Aidan, Antoinette comes across information regarding a serial killer right at the heart of Los Angeles who is brutally murdering women who are found sexualizing themselves, women who, according to Kitty, are only exercising agency over their own bodies. Antoinette wants Kitty to hunt down the Los Angeles serial killer as well, especially because the police have not so far acknowledged his presence, even as the number of those slain continues to rise.
The story also captures the interruption of the sisters’ evening meal at a restaurant in West Hollywood by an A-lister movie star who wants them to join him for a “little party” in his room that night. Kitty recognizes him, remembering that several women have previously sued him for sexual misconduct, although the cases were dropped for lack of evidence. After dismissing him, Antoinette hisses across the table that they should kill him, too. But Kitty doesn’t realize the weight of Antoinette’s words until the following day, when she finds her resting her feet on the dismembered naked torso of a man right there at the center of their room.
This story involves two protagonists whose discovery that they share a parent felt, to me as the reader, like a nuclear bomb of a plot point. This was made worse, especially by my discovery that one of them had committed an unforgivable act against the other’s family, raising the question in me of whether she was justified or merely monstrous. Kitty – the main protagonist’s repetition that she had killed a lot of people, most especially primed me for a journey that initially felt wrong, but gradually emerged as more complicated than I thought, a journey that made me question what I thought about right and wrong. But what made the story deeply engaging was the half-sister’s involvement as Kitty’s “an assassin-admin assistant.” Her entrance pointed to a coordinated, systematic operation that was ideologically driven by individuals who saw themselves as avengers for women wronged by men.
Brent used humor that made the dark violence not just palatable, but engaging and almost enjoyable. For instance, she told of a jaw that hung out like a scream mask, a massacred movie star who looked like a sad, aging pirate – specifically like Captain Hook but in need of a midlife health check, and a lip-less, dead individual who the main protagonist thought was looking at her. This humor allowed me to break the tension, made the protagonists more relatable, and, at times, made me question my moral responses. “To All the Men I’ve Killed Before” by Katy Brent is a book I would recommend to readers who enjoy dark, morally complex thrillers served with a side of sarcasm and humor, as well as to readers who enjoy books about complex family dynamics. Kitty and Antoinette are exactly the kind of characters these readers will enjoy, even though they know they probably shouldn’t.









